Quote:
Originally Posted by scottyboy
i think the m-audio interface/soundcard and pre-amps etc are meant to be pretty good for the price. and shure sm57 for a versatile mic.
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the m-audio pre's are gash for anything serious, for demo's, field recording or stuff thats deliberately meant to sound a bit pish they'd be ok. The sm57 is only a versatile mic through the right pre i find. Although if it were a choice between a cheapo condensor with a crazy harsh hyped top end, shitty off-axis response and behringer written on it, i'd take the 57 any day.