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#31 (permalink) | |
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Senior Member
Join Date: Jul 2003
Location: The Glen of Tranquility
Posts: 1,054
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#33 (permalink) | |
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Senior Member
Join Date: Jul 2003
Location: The Glen of Tranquility
Posts: 1,054
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Quote:
if the answer is yes to all of them, then you are an engineer. |
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#34 (permalink) | |
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Senior Member
Join Date: Jul 2003
Location: The Glen of Tranquility
Posts: 1,054
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#35 (permalink) |
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Senior Member
Join Date: Apr 2002
Location: DD1
Posts: 8,204
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But it's not that you're disagreeing with Robin, it's that you're disagreeing with FACT.
You cant go saying that amateur equipment is professional, because its not true. You CAN however, be a professional musician/artist working with amateur recording equipment - many people have proven this. There is a massive difference between this, and saying that crap equipment is professional, thats where the chalk line has become scuffed by the proverbial yellow fluffy tennis ball, ya dig.
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You can put a cat in the oven, but that doesn't make it a biscuit. |
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#36 (permalink) |
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Hardcore is serious guys
Join Date: Mar 2003
Location: Dundee
Posts: 5,928 Band: Blasphemous Necrorapist
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Right, any post that can be summed up as "you're a cock", post in here please http://www.undergroundscene.co.uk/fo...-so-angry.html
any post that can be summed up as "you're wrong, and here's why", or is otherwise educational can stay in this thread. Cheers ![]() |
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#38 (permalink) |
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Senior Member
Join Date: Apr 2002
Location: DD1
Posts: 8,204
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Here is how you can record a good free song at home. I feel it is relevant. I recorded it with a laptop I had already, and a mic I got from a 'laptop toolkit' from LIDL a few months ago. I used a yamaha 'guitalele' for the guitar part.
Hope you like it, and get out there and record!!! tweeclogs.mp3
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You can put a cat in the oven, but that doesn't make it a biscuit. |
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#39 (permalink) | |
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Senior Member
Join Date: Jul 2003
Location: The Glen of Tranquility
Posts: 1,054
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#43 (permalink) | |
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Senior Member
Join Date: Jul 2003
Location: The Glen of Tranquility
Posts: 1,054
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Quote:
I think purpose of excellent gear is to capture the most natural possible recording, not to make it hyped or larger than life as cheap equipment tends to do, all though good studio's will have options for more coloured sounds as well. For example a cheap condensor like the behringer B1 has a hyped top end, and a poor off axis response, imagine you're tracking a singer with an acoustic guitar at the same time, the spill from the acoustic will sound terrible. To me, gear is not as important as performance, and there are plenty of badly recorded albums that i love. |
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#44 (permalink) |
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Registered User
Join Date: Mar 2004
Location: Brighton
Posts: 136
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I'd like to chime in here, if i may. I think if we're talking about preferred recordings, it doesn't really matter what my or anyone else's opinion is. I think if we're talking about preferred performances, it doesn't really matter what my or anyone else's opinion is Anyyone could argue for weeks about these things and never see eye to eye. If we're talking about acoustic physics and colourless reproduction, there is to some degree, a science that exists which attempts to quantify and better understand the behaviour of sound, behavour of instruments, the analysis of the products which capture sound, and their results. When this 'science' exists for the purpose of better understanding the nature and behaviour of what one works with (especially if that is one's profession) i think there should be no shame attached to giving it some credence. In my opinion, there is nothing at all wrong with trying to understand what you do as fully as possible. I can only have the utmost admiration for anyone who does that. This will inevitably percolate into the way you approach your work, and for many sound engineers, this is manifest in them continually striving to acquire more accurate equipment. Many engineers' reasons for doing this is that if a signal is to be manipulated, they would rather have some degree of control over than mani |