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LinkBack (3) | Thread Tools | Display Modes |
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#76 (permalink) | |
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Senior Member
Join Date: Jul 2003
Location: The Glen of Tranquility
Posts: 1,034
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Quote:
I agree that triggers are useful for certain styles of music, super heavy stuff really. I dont think any drummer should use them until they have a grasp of dynamics. if you cant play fast with the right dynamics then you are playing beyond your ability, simple as that. (not you personally just in general) personally, i hate double kick never use it. I think there are too many drummers that can play super fancy fast stuff, but are totally incapable of keeping time. bip pok bip bip bip pok bip bip Last edited by mrlizard : 10th October 2005 at 11:37 PM. |
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#78 (permalink) |
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Wants to change his name
Join Date: Sep 2004
Location: Glasgow
Posts: 913 Band: of Brothers
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I am going to change my bass drum sound, defiently. I'll get a new head around November/December and I'm gonna spend ages getting the right tuning, and remove soon of my muffling. People have said my bass drum sounds really good before, and I think it does, but it has been sounding quite flat to me recently.
I like using double bass, but I know I use too much of it. I'm really trying to cut down in our songs (only 1 on the 5 song EP with no double bass). I'm starting to really work on heel-toe trying to get that good. I've managed the basic punk beat a few times with one foot but my foot begins to get tired very quickly. I can do heel-toe on the hi-hat on it's own, but never manage to keep it going in a beat. |
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#80 (permalink) | |
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UGS Site Writer
Join Date: Mar 2004
Location: probably work
Posts: 6,204 Band: Welcome Home, Explorer; Vulsellum; Altruist
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Quote:
wow, cool a double bass pedal. two years later, my feet are extremely fast but ica n only do extremely simple stuff with my arms cos i've not learned anything new for two years becauyse i've been too busy training my legs. personally i would prefer not to use triggers, i'd prefer to do it the natural way, like mr lizard said until i can tune my bass trum perfectly and can play loud enough. |
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#81 (permalink) |
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Senior Member
Join Date: Mar 2004
Location: Dundonia!!!!!!!!!
Posts: 4,688 Band: A Parting Shot (erratic grind madness) + Vulsellum (old school death metal)
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i have no idea what tempo's he plays up to, but they are fairly speedy.
He's one of the few drummers locally that ive seen that can play on a double bass just as loud as a single bass, if not louder. Just gets lost in the mix, live anyway. |
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#83 (permalink) |
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Registered User
Join Date: Oct 2005
Location: Nicaragua
Posts: 87
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training up should never involve concentrating on one thing for such a long length of time. If you work on your feet and hands at the same time then not only are you going to build up speed and correct impact with both but also syncopation between the two.
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#84 (permalink) | |
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Registered User
Join Date: Oct 2005
Location: Nicaragua
Posts: 87
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Quote:
the reason for that being that the individuals in the band (as a generalisation) are not playing with respect to whats going on around them. if its metal with crazy fast pedal work then the riffs over the top should surely mirror this and be in time. Coupled with a drummer who plays loud and clear and also in time then you could be forgiven for thinking that triggers were being used. |
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#85 (permalink) | |
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Registered User
Join Date: May 2005
Location: 今治、えひめ、日本
Posts: 388
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Quote:
HH x---x---x---x---x---x..... SN x---x---x---x---x---x..... and fill in the rest with the bass. Ive heard others do: HH x-x-x-x-x-x-x-x-x-x SN x---x---x---x---x---x This what I do, but I just dont seem to be able to get any more speed, and I find the momentum into fills really difficult. What about other people? How do they do a simple, fast punk beat? Im sure I hear people out there doing something like Jazz with a single then a double stroke of the hi-hat..... |
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#86 (permalink) |
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Registered User
Join Date: Oct 2005
Location: Nicaragua
Posts: 87
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I do something pretty similar, in fact its hardly noticable except for it defines the snare and bass a bit
HH X---X---X---X---X---X SN --X---X---X---X---X-- its not quite the full beat but it leaves a sonic gap for the snare |
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#87 (permalink) | |
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Registered User
Join Date: May 2005
Location: 今治、えひめ、日本
Posts: 388
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Quote:
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#88 (permalink) |
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Senior Member
Join Date: Feb 2004
Posts: 521
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My bass drum is phat as #### aye.
Aquarian Super Kick II on a 22" Gretsch maple bass drum. The skins don't last very long and are pretty expensive (around 50 quid), but I've tried going back to Powerstrokes before and the sound aint nearly as good. 'mon the aquarian. |
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#89 (permalink) | |
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Wants to change his name
Join Date: Sep 2004
Location: Glasgow
Posts: 913 Band: of Brothers
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Quote:
HH x-x-x-x-x-x-x-x-x-x SN x---x---x---x---x---x BD --o---oo--o--oo--o- I'm gonna start putting that in songs because I think it sounds better than quarter note hi-hats. I'm still picking up speed in that and trying to get stick control perfect before I start using it though. Can some find an audio of half-time shuffle? I learned this years ago but have totally forgotten it. |
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#90 (permalink) |
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Senior Member
Join Date: Oct 2002
Location: Glasgow
Posts: 3,333 Band: Concurrence, Priveleged Girls After School Club
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look out rosanna by toto, thats a half time funk shuffle! Its also one of those beats that are a 'must know'. And we'll just have to beg to differ i reckon. Whilst John Bonhams footwork is pretty good, put that in hate eternal? Its gonna get down to personal preferance and whilst I do (believe it or not) prefer a well tuned and mic'd kick for dynamics (rudimental bass drum chops anyone? yes please!) I will argue to death that triggers are pretty much a necessity for death/grind/speed/etc... metal. Youd be better to ask purists of their genre for their opinion and reasoning because I can see I |